Tourist Places

Aurangabad Guide

Aurangabad, it is known for some of the finest colleges and university in Maharashtra. And it is the fastest growing industrial town in India. But the charm and glory of its long past has not been lost. And its heritage is rich and varied - the result of the artistic and cultural influences of several dynasties since its first Stone Age inhabitants.


Places of Interest in Aurangabad

Aurangabad Caves
Aurangabad Caves are artificial caves, dug out of the rather soft rock during the 6th and 7th century. This caves are found on two separate locations, called Western Group Caves (caves 1-5) and Eastern Group Caves (caves 6-10), about 1km from each other. Each group has five caves. The architecture and iconography is influenced by Tantric Hinduism.

Cave four of the Western Group Caves is the oldest cave. It is a Hinayana Chaitya with a ridged roof like the Karla Cave near Lonavala. Hinayana (Sanskrit: Lesser Vehicle) is the more orthodox, conservative schools of Buddhism. Chaitya (Sanskrit) is the word for a funeral monument. There is a stupa in front of it, now partially collapsed.

The other four Western caves are viharas, which are an early type of Buddhist monastery consisting of an open court surrounded by open cells accessible through an entrance porch. The viharas in India were originally constructed to shelter the monks. Cave 3, the most fascinating cave of the Western Group, is supported by 12 finely carved columns. They show sculptures portraying scenes from the Jataka tales.


Bibi Ka Maqbara
Shah Jahan built the Taj Mahal, in Agra, in loving memory of his wife Mumtaz. His son Aurangzeb, who overthrew him, built the Bibi-Ka-Maqbara as a mausoleum to his wife Rabia-ud-Durrani.

This is the monument for which Aurangabad is best known, probably because it was obviously intended to rival the Taj Mahal, which it imitates. The comparison with the Agra monument has unfortunately somewhat denigrated the Aurangabad tomb which in itself displays a worthwhile architectural design, with much distinguished surface ornamentation in the late Mughal style.

The mausoleum dates from 1678 and it was erected by Prince Azam Shah, one of Aurangzeb's sons, in memory of Begum Rabia Durani, his mother. It stands in the middle of a spacious and formally planned garden, some 457 by 274 metres, with axial ponds, fountains, and water channels, many defined by stone screens and lined with broad pathways. The garden is enclosed by high crenellated walls with bastions set at intervals, and open pavilions on three sides.

In the middle of the south wall is an imposing gateway with brass-inlaid doors; these are inscribed with the name of the architect, Atam Aula. The central focus of this vast enclosure is the tomb itself. This is raised on a high terrace to look out over the garden plots and waterways. Access to the octagonal chamber containing the unadorned grave at the lower level is from a flight of steps that descends from the terrace. The grave is enclosed by an octagon of perforated marble screens. The chamber above is a high square structure presenting identical fagades on four sides. Each is dominated by a lofty portal with a pointed arch, flanked by smaller arched niches of similar design. A great dome, with a pronounced bulbous profile and a brass pot finial, crowns the whole composition while four lesser domes mark the corners.

Pan Chakki
The Panchakki or the Water mill, located at Aurangabad, was built in the early years of the 17th century, by the Muslim Sufi Saint Baba Shah Musafir. The complex of Panchakki had been a place of external abode of the great Sufi Saints who flocked to India in 12th Cent A.D. The sufi's were the Muslim saints, influenced by the spiritual philosophy of the Vedanta, the Sufi movement in India is reminiscence of secularism. The Panchakki, is a calm and peaceful place that visualizes the life that existed in the medieval period. Visitors having sensitive imagination, may hear the beats of drum and the humming noise of the people moving around the complex.

The water flows down through clay pipes based on the Siphon system from the distance of 11 km. This marvelous water mill wax designated to generate energy to turn the large grinding stone, serving as a flour mill